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Thursday, January 29, 2009

Boys Do Not Cry



Genre: Action, Drama
Starring: Lee Wan, Song Chang-ee, Park Grina, Lee Ki-young, Ahn Kil-kang
Release year: 2008
Language: Korean
Subtitle: English





SYNOPSIS:
1953, the Korean war has ended, but the fight for survival has just begun. Two 18 year old boys, Tae-ho and Jong-du, live in a camp for orphaned boys, which is more of a concentration camp where everyone suffers from hunger, inhumane treatment and unbearable work conditions. But these two have a dream of a better tomorrow. Tae-ho is the one with wits and brains and Jong-du is the tough street fighter. Together they scheme to steal US Army supplies and recruit other boys to grow their business. But when they start to take business away from the local gangsters, their fight fur survival turns into a war

RATING: ?/10
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Champions



Genre: Action, Martial Art, Sport
Starring: Dicky Cheung, Miu Tse, Priscilla Wong, Debbie Goh, Wai Chi Ho, Xiang Dong Xu, Rongguang Yu
Release year: 2008
Language: Cantonese
Subtitle: English





SYNOPSIS:
Set in 1930s China, the film details the trials of a group of athletes who desire to compete in the Olympic Games. There’s a snag, however. The full amount required to send them abroad for the games is 600,000 dollars, and the government is only sponsoring half. It falls to the athletes to raise the rest themselves, and they start by saving every last penny they earn. They also attempt to raise the money through a variety of fund-raising activities, including street performances, networking for donations, and probably a bake sale, too. After deciding to fund their own way to the games, the athletes take to the streets to perform all manner of athletic demonstrations and martial arts moves in an energetic and impromptu street fair.

RATING: 9/10
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Wednesday, January 28, 2009

Ip Man



Genre: Martial Art, History, Drama
Starring: Donnie Yen, Lynn Hung, Simon Yam, Fan Siu Wong, Lam Ka Tung, Wong You Nam, Calvin Cheng, Hiroyuki Ikeuchi
Release year: 2008
Language: Cantonese/Mandarin
Subtitle: English





SYNOPSIS:
The movie is adapted from the life story of Ip Man, the grand master of the Wing Chun style of Kung Fu and Sifu (master) of legendary Kung Fu superstar Bruce Lee.

Ip Man - martial art’s unyielding follower, whole-heartedly devotee to the free learning of Wushu. The fight to be top between the Wushu schools in the southern and northern regions of China did not stop him from goodwill matches with other practitioners. Nationalistic bad feelings and racial hatred did not lessen his respect for Japanese Kung Fu warriors. In a great era of hate and tragedies, Ip focused only on Wushu. His enthusiasm for martial arts saw led to devastating street fights with various elite practitioners.

To this date, neither movies nor publications about Ip Man exist. This movie is the first important record of the master’s life. Ip’s persistent devotion to Wing Chun is a classic example of the love and respect for Wushu and the freedom and spirit it represents.

RATING: 9/10
USER RATING:




REVIEW:
" I’ll begin by saying this- Donnie Yen is to Ip Man what Jet Li is to Wong Fei-Hung. And accordingly, Ip Man the movie is a thrilling martial arts flick about the legendary Wing Chun master that is set to join the league of classics like the Once Upon A Time in China series.

Indeed, Ip Man and Wong Fei-Hung are in fact similar in more ways than one. Like Wong Fei-Hung, Ip Man was born in Foshan, China (albeit about 50 years apart). Like Wong Fei-Hung too, Ip Man found himself in a position to inspire the hearts and minds (and fists) of his fellow countrymen. While Wong resisted the imperialism of the West in the middle to late 1800s, Ip Man defied the invasion of the Japanese during the late 1930s.

When we first meet Ip Man, he is living a comfortable existence in his own sprawling bungalow with his wife (Xiong Dai Lin) and son. It is mid-1930s and Foshan is a hive of martial arts activity as various clubs and societies set up schools to recruit disciples and pugilists go about challenging one another in friendly duels. Not so for Ip Man, who prefers a more private life and repeatedly refuses requests to take on any disciples.

But let not his humility fool you- one confrontation with an arrogant bandit from the North (Fan Sui-Wong) which Ip Man promptly disposes with brutal efficiency will convince you that he is probably the most powerful pugilist of them all.

Fast forward a few years and Foshan has since fallen into the oppressive hands of the Japanese. Its citizens live in abject poverty and Ip Man is no exception, resorting to menial work to eke out a living for his family. Meanwhile, a certain Japanese General Miura (Hiroyuki Ikeuchi) has taken to organizing fights pitting the Chinese against his fellow Japanese for his amusement.

Ip Man’s curiosity is piqued when one of his close friends, Lam (Xing Yu), disappears after volunteering for one such fight. Seeing his fellow countrymen trodden by the Japanese at the arena, Ip Man is moved to take to the mat. Impressed by Ip Man’s skill (he takes on 10 Japanese fighters at one go), General Miura invites Ip Man to a public showdown that pits the might of the Japanese aggressor against the dignity of the oppressed Chinese.

While biopics sometimes bite off more than they can chew, this movie is focused intimately on Ip Man’s beginnings as a teacher of Wing Chun that eventually sowed the seeds for the flourishing of this form of martial arts the world over. And this is both the movie’s strength and weakness- strength because it helps the audience connect with how Ip Man found his calling to teach and weakness because it says little else about the life of Ip Man.

Fortunately, the movie succeeds because both Donnie Yen and director Wilson Yip have made this journey touching and heartfelt. In what is definitely a career highlight, Donnie Yen turns in one of his best performances as the legendary Ip Man. There is none of the usual overacting detractors have often accused him of; instead, Donnie Yen brings gravitas and authority to the role of the dignified Wing Chun master.

Kudos also to director Wilson Yip- he captures both the thriving pre-war Foshan and the wretched wartime state skilfully such that the peace-war transition is truly a humbling sight to behold. Of course, the highlight of any martial arts flick are the fighting sequences and to his credit, Wilson Yip has assembled a great team including action director Sammo Hung, choreographer Leung Siu-Hung and the eldest son of Ip Man, Ip Chun as wing chun advisor.

The result of which are several gripping fight scenes that definitely will not disappoint any hardcore martial arts fan. Each of the rousing sequences executed flawlessly by Donnie Yen are an authentic tribute to the nature of Wing Chun- characterized by aggressive close range combat most aptly demonstrated in the vertical punch (thrown with the elbow down in front of the body) in quick succession.

If the spirit of martial arts is just as important as its form, then this movie captures perfectly both the spirit of the master Ip Man as well as the art of Wing Chun. Indeed, Ip Man the movie is not just thrilling and exciting, it is moving and affecting. It belongs right up there with the classic martial arts flicks of yesteryears. "

Source: MovieXclusive

PREVIEW:








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Tuesday, January 27, 2009

Sky of Love



Genre: Romance, Drama
Starring:
* Yui Aragaki as Mika
* Haruma Miura as Hiro
* Yuko Asano as Mika's mother
* Yosuke Asari as Nozomu
* Keisuke Koide as Yu
* Asami Usuda as Saki
* Yumi Asou
* Karina
* Erina Matsui
* Ryuji Yamamoto
Release year: 2008
Language: Japanese
Subtitle: English





SYNOPSIS:
Based on a cell-phone novel that moved 11 million people to tears, "Sky of Love" is a story about a regular girl's three stormy years in high school. While her friends are absorbed about their boyfriends, Mika is clueless about falling in love. She begins receiving phone calls from a boy she doesn't know and is gradually drawn to him. She finally meets him but their happy days soon pass as trouble is brewing on the horizon.

NOTE:
"Sky Of Love" begins as a story that was published on a website several years ago. It was a tale of a young girl's tempestuous years in high school, unfolding chapters told of love, jealousy, rape, pregnancy, miscarriages, losing your loved ones and having faith. The heart-breaking tale caught on like wildfire in Japan and has touched the hearts of many women. Even more surprising, it was in fact a true story. Its popularity transformed it into a best-selling book, selling 1.3 million copies in just three weeks, and now it has been made into a film, which catapulted to No.1 at the Japanese box-office. It was a phenomenon.

RATING: 8.75/10
USER RATING:




REVIEW:
" Soaring to #1 in the Japanese box office, Sky of Love is actually based on a cell phone novel, and given the proliferation of phones in Japan, there's a ready made audience from this fan base that would flock to the cinemas upon the movie's release of course. It's a high school romance story about a girl, Mika (Yui Aragaki) and her love with punkster Hiro (Haruma Miura), and what a story it is, with teenage sex, rape, pregnancy, and even a miscarriage! And I do confess that I did raise an eyebrow when these incidents come one after another, given that after all, aren't they (the characters) supposed to be underaged to begin with? Not being a prude here and having double standards (like in Juno's case), Sky of Love did load up the pity factor for the audience to feel sorry for the leads. Juno doesn't.

And what's a Japanese contemporary romance story without some form of disease come into play? That probably took the cake and anyone watching the movie could see it coming from a mile away, but we the audience still continue to lap it all up, together with those whispering of sweet nothings, promises to be around forever, etc, and little actions to tug at the heartstrings of loved ones (and the audience's as well). It felt highly manufactured, as if going through an assembly line to incorporate the usual elements when the time came for it, and the usage of cute, symbolic artifacts to represent tokens of love at various stages.

You cannot deny then the wonderful cinematography and whimsical music to put you in the right mood for love, though its 120 minute runtime seemed a tad too long in trying to probably incorporate every major plot development in the novel, what with the introduction of potential love rivals. Yui Aragaki and Haruma Miura with his dyed-white hair seem quite mature to be playing your high school sweethearts, but there's a certain saccharine sweet chemistry between them that would make them your instantly identifiable, and likable characters.

Like I mentioned, there are plenty to frown upon, perhaps even laugh at during the first 20 minutes or so, because of the implausibility of having the most wretched of events befall Mika, and before you begin to wonder why the adults (families on both ends) refuse to take proper action, and the total absence of authority figures to allow the children to take matters into their own hands. Then again, this is a romance movie, not a cop drama, so some suspension of belief is required. Strictly for those who require their regular dose of the usual J-romance chick flicks. "

Source: anutshellreview

PREVIEW:













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Summer Days with Coo



Genre: Adventure, Comedy
Release year: 2007
Language: Japanese
Subtitle: English





SYNOPSIS:
A small, lone Kappa miraculously survives over 200 years into modern day Tokyo, Japan when he is found by young Koichi. "Coo" who is secretly adopted by the whole family, faces a tragic past and the present's challenge of living in a dramatically changed environment, searches with his new human friend for places not invaded by people hoping to find any remaining of his kind. When this intelligent "water sprite" draws the popular attention of the whole city upon being discovered and then confronted with his past, it forces him to take action and make an ultimate decision, in order to preserve his kind, inner peace and well being in today's harsh world.

RATING: 8.5/10
USER RATING:




REVIEW:
" Summer Days With Coo is a wonderfully layered anime that brings a pleasing mix of humour and sensitivity to cinema audiences. Children will love the playfulness of the kappa, and adults will find it to be romantically nostalgic, reminding us of carefree days when the summer meant riding your bike along waterways, pedaling so fast that you were certain to lift off the ground.

There is a serious undertone to the film; like the films of Miyazaki, such as Princess Mononoke, there's a strong sentiment of ecological consciousness, and the tragedy of modern development.

It's a slow film, with a long running time. I was comfortable and in a good mood, so the languidly crawling plot was a simple pleasure to watch. The kappa, named Coo, wants to go home, but in the 200 years since he's been fossilized, the swamp where he once lived has become a residential suburb of Tokyo.

It's tragic, and striking how an animated character can provoke such sorrowful sentiments. When Coo cries, it's as if the animalistic center of our being cries out, too. Sometimes, I wish the swamps and the rivers were still there.

Summer Days With Coo is an interesting look into Japanese culture, as well. I previously reviewed Bizan for the Japanese Film Festival - it was thrilling to see a dance festival on a far off island. Similarly, it's wonderful to see this element of Shinto folklore made into a popular film... "

Source: Moviecritics

PREVIEW:













    PART 1: http://www.megaupload.com/?d=SYO29137
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Dance of the Dragon



Genre: Romance, Drama
Starring: Fann Wong, Jason Scott Lee, Jason Chan, Jang Hyuk, Lim Kay Tong
Release year: 2008
Language: Chinese
Subtitle: English





SYNOPSIS:
Determined to become a ballroom dancer, country boy Tae (Jang Hyuk) farewells his disapproving father and journeys to a renowned studio in Singapore to train under his idol Emi Lim (Fann Wong), a former champion.

A fish out of water, Tae struggles to survive in the big city, and having taught himself to dance solely from instructional videos he’s the worst student at the studio. Emi however recognizes his passion and hidden talent. When the other students shun Tae as a partner for the looming ballroom dancing championships, Emi steps in and romance blossoms.

However, Emi’s ex boyfriend Cheng (Jason Scott Lee), the reigning kung fu champion, refuses to let her go and fuelled by jealousy forces Tae to accept a challenge, a show down of furious martial arts routines, with the loser leaving town, and Emi for good.

RATING: 8/10
USER RATING:




REVIEW:
" It takes Korean hunk like Jang Hyuk to carry this off: A boy who dreams of being an accomplished ballroom dancer. In the hands of any other mere mortal, this role would have been fleshed out stereotypically as a flamboyant wannabe. But here in his first English speaking role, the heartthrob paves his way to becoming a star international directors should look out for.

Known for his breezier roles in Windstruck (2004) and Volcano High (2001), Jang plays a country boy who arrives in Singapore to enroll himself in a dance school. Before he knows it, he finds himself developing feelings for his beautiful mentor, while being threatened by her boyfriend, who was a former martial arts champion. The 111-minute movie culminates with an international ballroom dancing competition which is everything our protagonist has dreamed of since young.

And in this finale you’ll see our very own Fann Wong dancing with Jang, donning a diamond studded dress specially designed by one of Singapore’s top designers, Francis Cheong. The crystals on the dress, in different shades of red no less, aren’t the only things you’ll take note of. You’ll also notice how ravishing the actress looks throughout the movie with her sponsored jewelry, so much so that you are distracted by her awkwardly scripted lines. Jason Scott Lee (Dragon: The Bruce Lee Story, Balls of Fury) plays her jealous boyfriend who spouts one-dimensional angry dialogue at Jang. Familiar local actors like Lim Kay Tong, Jason Chan and Gerald Chew fill up the somewhat forgettable supporting roles.

Co-directed by John Radel and Max Mannix, the film features beautiful cinematography courtesty of Radel, who doubles up as the director of photography. Check out the adequately done street scenes of Singapore, thanks to support from our tourism board. There are also images which provoke exoticism of the Asian world. The tracking and slow motion shots also effectively portray the tale of passion, dreams, love and hope. However, the sometimes overbearing emotionally dramatic score and the sometimes overlong intense gazes of the characters may be a test of patience to the edgy viewer. Seeing that this is a drama about daring to dream, expect lines which you can only hear in a movie. Serious expressions, solemn exchanges, heated arguments and passionate looks of love are aplenty here, with a lack of lighter moments.

What works is the story between Jang and his parents back in Korea, which manages to pull heartstrings. The movie also gets points for its wonderfully executed dance choreography. Whether it’s the waltz, the samba or the classical ballroom dance, seeing Jang and Fann moving gracefully across the dance floor will make you think that anything is possible with you are determined and daring enough to dream.

In one scene, Jang’s father tells him: “Hobbies are dangerous things because they turn into dreams” Being a mere mortal, we wouldn’t dare to harbor such thoughts, especially anything to do with ballroom dancing, because we know the glitz, glamour and grace we see on screen remains on screen "

Source: MoviesXclusive

PREVIEW:













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Sunday, January 25, 2009

Fatality



Genre: Horror
Starring: Kenji Wu, Pitchanart Sakhakorn, Matt Wu, Somlek Sakdikul
Release year: 2009
Language: Thai - Taiwanese
Subtitle: English





SYNOPSIS:
An unsuccessful man in Taipei commits suicide, only to wake up in the body of a coma victim in Bangkok. His new life is almost perfect - he now has a stable job, a healthy body and a beautiful wife, but as the two souls fight for control of the body they start developing supernatural powers over life and death itself, leaving havoc in their wake.

RATING: 7.75/10
USER RATING:




REVIEW:
" The Fatality starts off well enough with small, creepy little jump scares. But when ghosts are popping out of every nook and cranny, well, it just gets old quick and it's not scary anymore.

Still, the atmosphere is unsettling, mostly at the creeky old Victorian-age wooden office building Kenji works in.

There's game comic relief from Somlek Sakdikul, as Assanee's gregarious boss, and comic actress Pajaree na Nakorn as a chirpy co-worker. Character actor Ampon Rattanawong is hanging around in the scenery, helping to set Assanee up for a fall. And Wiyada Umarin, classic film actress of the 1970s, is in there somewhere.

The psychological drama is more palpable than the attempts at horror, and Kenji Wu is extremely watchable as the conflicted personality of Assanee/Her Sue Yong.

And there's the conflicting logic and motivation of Pitchanart's character Nakul, who can't make up her mind whether she wants Assanee back or whether she loves Her Sue Yong or maybe she'll run off with that other guy who was hanging around.

That's where the movie runs into frustrating trouble, and ultimately ends up being a disappointment - it fails to come to any kind of logical conclusion and never makes up its mind about what kind of movie it wants to be. "

Source: Wise Kwai's Thai Film Journal

PREVIEW:













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Ghost Game



Genre: Horror
Starring: Thanyanan "Jeen" Mahapirun, Watcharin "Mam" Jinamusi, Panwet "Por" Saiyaklai
Release year: 2006
Language: Thai
Subtitle: English





SYNOPSIS:
In "Ghost Game", 11 participants are locked up inside a former-prison-turned-museum for a 24 hours reality TV show. The concept of the game is that the contestants must provoke the wrath of all the vengeful spirits inhabiting the faded walls of the former prison where thousands suffered and perished years before. The contestant who manages to endure the nerve-rattling atmosphere the longest walks away with 5 million baht.
RATING: 6/10
USER RATING:




REVIEW:
" Mired in controversy when it was first released in Thailand, the film’s setting closely resembled (by name and representation) Cambodia’s infamous Tuol Sleng Genocide Museum, where the Khmer Rouge tortured and killed countless dissidents. The “Ghost Game” producers built the set in Thailand after requests to use the actually museum were denied. Boycotts were called when it was released, leading to a Cambodian ban on the feature while Thai-Cambodian relations hit an all-time low despite the filmmakers’ apologies and a disclaimer at the start of the film. Unfortunately, due to these problems, there seems to be a substantial amount of scenes referencing the Khmer people that were edited out, which ended up marring the quality of the final cut quite significantly.

“Ghost Game” somewhat resembles the 2003 Norwegian scare fest, “Villmark” which had the same idea of a survival-reality television programme choosing contestants to travel deep into the Norwegian woods, encountering evils both plain and unseen. While that film took time to build on the characters, “Ghost Game” had no such intentions. Right off the bat, with no back-stories revealed about the contestants, we’re introduced to them in the midst of travelling to the house of horrors. With 11 contestants excluding the crew of the reality series, that’s a whole lot of characters to keep track off, each apparently from disparate walks of life.

Unfortunately, the film does not do so well to keep up with any of them, leading to incomplete and highly confusing sequences of storytelling. Coupled with their frightened cardboard representations that never evolve throughout the film and you’ve got no reason at all to care about any one of them. Although there seems to be a concerted effort to try to evoke human drama from the desperation of strangers trapped together, à la the Saw franchise, it hardly comes off as anything other than petulance. Even when the performers don’t really have to do with their undemanding roles, aside from screaming and arguing, their amateurism is quite apparent.

Technically, the “Ghost Game” could have ended up decent if not for a number of glaring flaws. While the initial suspense started out well with its clever use of handheld shots, it failed to carry over to the rest of the film once the scares got into full swing especially as scenes started to drag on too long with very little pay-offs. The patchy control over the script and lack of creativity seems to have driven a nail into its coffin when it becomes obvious at the end that its helmers chucked in as many scare tactics and ghostly behaviours as possible. Although grasping with issues carrying immense gravitas like the proverbial ghosts of Cambodia’s horrid past, it’s quite regrettable that it unintentionally presents itself as a comedy of errors. "

Source: MovieXclusive

PREVIEW:













    DISC 1
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    DISC 2
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    DISC 2
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Saturday, January 24, 2009

Ah Sou

a.k.a Mob Sister



Genre: Crime, Drama
Starring: Karena Lam, Eric Tsang, Anthony Wong, Yuen Wah, Simon Yam, Alex Fong, Annie Lau, Lau Yip
Release year: 2005
Language: Chinese - Cantonese
Subtitle: English





SYNOPSIS:
In the triad world, hugely dominated by men, where heroes are molded from blood, brawn and brains, are there any place to accommodate a defenseless girl?

The only exception to the rule is if you earn your respect as “Ah Sou” - the big boss’ wife.

Mob Sister tells the extraordinary story of an innocent girl who was appointed successor to Hong Kong’s ruling triad. This role becomes a double-edged sword for our young heroine, who is sucked into a maelstrom of vicious gang wars, hair-raising assassination attempts, ruthless power struggles and betrayals. Through numerous violent episodes and unexpected reversals, she discovers her own inner strength and re-writes the laws of the triad.

RATING: 6.75/10
USER RATING:




REVIEW:
" The stellar cast featured are awesome in their roles, and newcomers like lead protagonist Annie Liu are able to hold their own against veterans like Tsang, Wong and Yam. Some of my favourite scenes include those with minimal dialogue, just the stars filling up space in Kodak worthy moments, oozing menacing street attitude. Karena Lam's role as a revenge seeking female triad boss was a bit wasted with its one dimensional purpose, while Yuen Wah's role as a retired gangster turned temple monk was a surprising scene stealer - the temple/religion offers a sanctuary for triad members, and some of the dialogue in the temple are powerful and at times, zen-like.

However, the narrative, while superb in the building up, was at times choppy and lacked during the closure. Perhaps the length of the movie (clocking in at approximately 90 minutes) didn't allow for greater in-depth explanation during the closing stages. Scenes like the car crashing scene, while creatively standing in for tried-and-tested gangland fistfights, didn't transition too well into the storyline, and therefore didn't really fit into the scheme of things.

Interesting delivery methods like the use of pencil sketch animation did attempt to liven up the narrative, as with the use of juxtaposed timelines and flashbacks, however these methods drew attention to themselves, focusing a tad too much on technical delivery rather than on the story and characters. And some jokes didn't come across properly given this Cantonese film is dubbed in Mandarin - the voice for Annie Liu will take some time to get used to.

This is a tragic story of gangs and power struggles, great build up with awesome potential, which was unfortunately let down by a weaker than expected ending. "

Source: MovieXclusive

PREVIEW:
No Trailer available











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Saturday, January 17, 2009

The Divine Weapon



Genre: War, Action, History
Starring: Jeong Jae Yeong, Han Eun Jeong, Heo Joon Ho, Ahn Seong Gi, Jeong Seong Mo, Kim Myeong Soo, Lee Do Kyeong, Do I Seong, Ryoo Hyeon Kyeong, Jo Won Hee, Oh Soon Tae, Sin Jeong Geun, Lee Seung Geun, Choi Seung Il, Lee Woo Jin, Jeong Jae Jin
Release year: 2008
Language: Korean
Subtitle: English





SYNOPSIS:
During the reign of King Sejong (Ahn Seong Gi), Joseon Dynasty was the embodiment of the perfect state. To the Ming China, the aspiring imperial power, Joseon presented an obstacle to territorial expansion. The Ming China demanded submission and interfered with internal affairs of Joseon. All the while keeping Joseon in check with the constant threat of the northern barbarians. Disgusted by the Chinese interference, King Sejong secretly develops the Phantom Arrowslinger, a weapon he intends to use to take back Joseon’s land and supremacy. But when Chinese spies discover the plan, the Chinese emperor attempts to disrupt the development with force, setting off a chain reaction of violence.

RATING: 8.5/10
USER RATING:




REVIEW:
" **** "

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ONLINE MOVIE:

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Beast Stalker



Genre: Crime, Drama
Starring:
Nicholas Tse Ting Fung
Zhang Jing Chu
Nick Cheung Ka Fai
Sherman Chung Shu Man
Liu Kai Chi
Patrick Keung Hiu Man
Derek Kwok Jing Hung
Miao Pu
Release year: 2008
Language: Chinese - Cantonese
Subtitle: English





SYNOPSIS:
A traffic accident changed their lives forever. In capturing wanted criminal Cheung Yat Tung, Sergeant Tong Fei was involved in a gunfight and car accident that put the criminal in a coma. But in the process he also crippled an fellow officer, and mistakenly shot dead the elder daughter of public prosecutor and single mother Ann Ko. Unable to handle the guilt, Tong Fei succumbs to a fog of pain. Ann Ko, meanwhile, pours all her love and attention to her younger daughter Ling.

Three months later, the criminal Cheung Yat Tung awakens from his coma. Ann Ko, who had been working hard on bringing him to justice, insists he stand trial immediately. Professional killer Hung King completes his assignment of kidnapping Ann Ko's daughter Ling. Tong Fei attempts to cut him off, but fails to stop Hung King or to rescue the girl. Soon, Ann Ko gets a phone call, telling her that if she wants to see Ling again, she will drop all charges against Cheung Yat Tung. And if she goes to the police, they will kill Ling.

Tong Fei swears that he will rescue Ling, seeking to redeem himself from his past mistake. With assistance from a former colleague fondly known as Master Sun, Tong Fei gradually comes closer to locating Hung King's hideout, but the most important clue is the information in Ann Ko's cell phone. However, Ann Ko hates him so much that she refuses to let him have anything to do with the case. Tong Fei has no choice but to beg for help from former co-workers with whom he did not get along.

Ann Ko is backed into a corner, but she is determined to refuse help from Tong Fei. In a misguided attempt to save Ling's life, Ann Ko steals the case files.

RATING: 9.25/10
USER RATING:




REVIEW:
"The Beast Stalker is a standard genre picture, with a plot that's been seen before and characters that are only extensions of basic types. However, writers Dante Lam and Jack Ng manage to sneak in some decent character moments, making each of their characters more deeply felt. Tong's relentless do-gooder attitude makes him an effective cop, but he's humbled by the physical and emotional damage left in his wake. Hung is an efficient and ruthless criminal who's motivated by his love for his invalid wife (Miao Pu, whose Cantonese voice is dubbed by Nick Cheung's wife, Esther Kwan), but he also develops a sliver of affection for his young hostage Ling, a detail that sounds pandering but is actually handled quite effectively. Of the three main characters, Ann Gao probably is the least developed, though Zhang Jingchu inhabits the role well. Even the minor characters, including Liu Kai Chi's cop and Miao Pu's ailing wife, are given small moments that make them stand out. There's a decently-developed and felt humanity to this gritty cops-and-kidnappers thriller.

Director and co-writer Dante Lam doesn't even come close to matching his best genre work (that would be 1998's Beast Cops), but his execution here is worth nothing. The Beast Stalkers has a suitably gritty feel, with the handheld camera and overexposed lighting helping to create the film's grainy, wannabe realistic look. The action sequences employ bombastic music cues and an abundance of audience polarizing shaky-cam, but they're kinetic and tense, and the actors throw themselves into them with an appreciable physicality. Tung Wai's action choreography delivers solid impact, and Bruce Law's car chases are also exciting. Where the film surprises is in its ability to play with standard audience expectation. Any educated audience knows that certain things should or should not happen during the course of a commercial film, but The Beast Stalker effectively creates the illusion that those expectations may actually be subverted. There's tension and even fear in how Lam assembles his elements, and even when the film resorts to cliché (e.g., when knocked down, the bad guy always gets up), he creates the emotional tension required to keep the audience involved.

The actors help, though there are a few debits. Nicholas Tse has aged well, his youthful righteousness maturing into a more explosive adult anger. There are moments where he seemingly does go too far; at one key moment, he gets so weepy that he seems to be channeling Aaron Kwok's performance in Divergence. However, his acting isn't showy, and still works due to its lack of self-consciousness. Basically, Tse overacts, but he does so convincingly. Nick Cheung shows once again that he may be better when playing darker characters, giving his villain role suitable menace and also multiple levels that make his character plausible enough to be sympathetic. "

Source: LoveHKFilm

PREVIEW:



FEATURED CLIPS:

INTERVIEW Nicholas Tse:










    DISC 1:

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